K-Pop

KATSEYE’s Lara’s Coming Out as Queer Can Change K-pop for Good, Said Experts

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A Shocking Confession

Lara, a member of HYBE and Geffen Records’ multinational girl group KATSEYE, has publicly come out, earning admiration and support from fans worldwide.

During a conversation with fans on Weverse on March 24, Lara opened up about her sexual identity, reflecting on the fears she faced before coming out, particularly as a person of color.

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“Coming out can be scary,” she admitted. “And for me, it felt even more daunting because of the added layer of being a person of color.”

Despite her initial apprehension, Lara shared that she has come out to her family and expressed deep gratitude for the unwavering support she has received.

“I knew i was half fruitcake when i was like 8 so i really was wanting everybody. Honestly probably before 8. Isn’t “half fruitcake” such a good way to explain it without saying it?”

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“I’m incredibly thankful to the people in my life and my fans for standing by me,” she said. “I’m proud of who I am. Being gay isn’t something I’m ashamed of, it’s a part of me.”

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Last year, fans also discovered evidence on Lara’s TikTok, including a 2021 comment in which she confirmed she liked women, as well as her participation in Pride events—suggesting she might be part of the LGBTQ+ community. However, some argued that this information surfaced when Lara was younger and that it’s inappropriate to draw conclusions about her sexuality based on it. This sparked a heated debate among netizens.

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KATSEYE lara

Born in 2005, Lara is an Indian-American artist who debuted with KATSEYE in June last year. The six-member group, created through HYBE and Geffen Records’ global girl group project, aims to bring a localized K-pop experience to the American market.

Fans have flooded social media with messages of love and support, praising Lara for her honesty, bravery, and authenticity.

Why This Can be A K-pop Game-Changer

While HYBE chose not to comment on the matter, industry experts have called Lara’s announcement both “shocking and groundbreaking.”

Regarding this, Music critic Lim Hee-yun highlighted K-pop’s historically conservative stance on artists’ identities despite its creatively diverse content, stating, “K-pop has long thrived on indirect expressions of gender fluidity and queerness, especially in fan culture. However, idols themselves have been expected to adhere to traditional images.”

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Although public attitudes toward LGBTQ+ identities in South Korea have evolved, a major agency idol openly coming out is still unprecedented, causing Lim to exclaim, “Even with the changing times, it’s surprising to see something like this happen in K-pop.”

According to Lim, this reflects the duality of the K-pop industry, with its content being full of “indirect expressions of gender fluidity and sexual identity”, citing fanfiction centered around same-sex relationships. “Yet, these identities have remained hidden or suppressed in the public image of idols,” he said.

The music expert then noted the significance of K-pop’s popularity within LGBTQ+ communities globally, with the genre even being dubbed “gay pop” in the early 2010s.

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“Part of its early appeal was tied to the idea of K-pop itself being an underdog or minority culture within the global music industry something LGBTQ+ fans could strongly relate to”, he said, adding that Lara’s courage to live openly could mark the beginning of a cultural shift within K-pop, challenging long-standing norms and paving the way for greater representation.

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