“Waterbomb Goddess” Kwon Eun Bi Goes Viral with Bold Outfit: Reached 2M Views on YouTube
On July 6, Kwon Eun Bi headlined the third day of “Waterbomb Seoul 2025” at the Kintex Outdoor Global Stage in Goyang, Gyeonggi Province. Dressed in an unbuttoned checkered crop shirt and ultra-mini hot pants, she mesmerized fans with her signature sensual charm and powerful charisma.
Being dubbed the “Waterbomb Goddess” isn’t just a title—it’s a legacy. For the third consecutive year, Kwon Eun Bi stood at the center of the Waterbomb stage, performing her hit songs including “Underwater” with fierce choreography and stunning vocals, soaking the crowd in energy and excitement. Notably, she took the lead in designing the stage setup and her outfit, showcasing her creative vision and individuality.
A solo fancam of her cover of Beyoncé’s “Crazy in Love” from the event has gone viral, surpassing 2 million views on YouTube as of the morning of July 7. The clip captures the moment she dramatically opens her shirt mid-performance, flaunting her confidence and captivating presence.
She also surprised fans with a duet of “Rumor” alongside her close friend and Netflix’s “Single’s Inferno 4” cast member Lee Si An, adding another layer of allure to her performance.
While many praised her confidence and charisma, controversy stirred in online communities, especially in female-dominated forums. Accusations of double standards, internalized misogyny, and the misuse of the term “women’s rights” have turned the comment sections into heated battlegrounds.
- “Wow, reading this comment section really made me understand what ‘women attacking women’ means. You’ve got women, snacking in their rooms, getting pissed off while staring at photos of someone with a great body, barking like mad. It’s hilarious to watch. Just look at the trending posts – they’re flooded with hate toward female idols. And now these same women are suddenly screaming about women’s rights? LMAO.”
- “I’m a woman too, but come on ㅋㅋㅋ. Male artists at Waterbomb practically strip and grind on stage. Jay Park even takes his shirt off and does sexy moves regularly — it’s basically his signature, and women go crazy for it. But when a female artist shows some skin, it’s all criticism? Whether Eun Bi rose to fame for her body or not, it’s an amazing body, and if she uses it to her advantage, that’s her choice. Why are people attacking her, saying she only has her looks? Seriously, why?”
- “People crying about women’s rights are the same ones who beat down other female idols the hardest ㅋㅋㅋㅋ. Honestly, if all the jealous women and brainless trolls on female forums disappeared, women’s rights would probably advance by decades. Sure, male misogyny is a problem, but women tearing down other women is just as damaging. These same girls who are relentlessly attacking Kwon Eun Bi now suddenly care about gender equality? I can’t help but laugh.”
- “This is what Korean Confucian feminists consider a proper example of women’s rights.”
- “It’s actually sad that she’s being bashed just for having a great body ㅋㅋㅋㅋ. If it were some average-looking woman wearing revealing clothes, no one would care. But when a woman with a killer figure does it, suddenly everyone’s shouting about feminism and dignity. Aren’t you the ones destroying the image of women’s rights?”
Having earned the nickname “Waterbomb Goddess” for her sultry stage at the 2023 festival, Kwon Eun Bi once again elevated expectations, proving that she’s not only holding onto her crown—but redefining what it means to own the summer stage.
