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SEVENTEEN’s Hoshi and Woozi Face Backlash Over New Song on “World Street Woman Fighter”

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SEVENTEEN’s sub-unit Hoshi x Woozi recently faced criticism following the release of their song “Echo” on the popular dance competition show “Street Woman Fighter.” The track, produced by Woozi, was created for the show’s leader class mission but has garnered mixed reactions from viewers and netizens alike.

The controversy centers around a specific lyric in “Echo” that references the duo themselves: “Hoshi x Woozi, who came last time, didn’t die and came back again.” Many online commenters have labeled the line as “cringey,” questioning its relevance and appropriateness within the context of the show. Some have expressed disappointment, feeling that the song does not meet the high standards set by previous tracks featured on the program.

“Street Woman Fighter” is known for its intense dance battles and has previously showcased songs like “Hey Mama” and “Smoke,” which were well-received by both participants and audiences. In contrast, “Echo” has been described by some as underwhelming, with critiques focusing on both its composition and lyrical content.

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Despite the backlash, there are fans who appreciate the effort and creativity put into the song. Supporters argue that the inclusion of Hoshi and Woozi’s names adds a personal touch, aligning with the show’s theme of leadership and individuality. However, the debate highlights the challenges artists face when contributing to established franchises with dedicated fanbases and high expectations.

seventeen-hoshi-woozi-echo-backlashcomments-Korean-music-online.

Comments on instiz:

  1. “Are you kidding? If you don’t have the skills, at least have the decency to step back… This is basically the biggest highlight of the show, what are you doing, Mnet? You’ve lost your touch… The lyrics are one thing, but the beat is just bland and overused.”
  2. “Mnet being Mnet again. If you’re going to pick a song, at least pick a good one.”
  3. “Ah….”
  4. “……What is this song?”
  5. “Sounds like an Indian song..”
  6. “Can’t they even judge whether a song is fit to choreograph to? How are they supposed to create a mission with that?”

As the discussion continues, it remains to be seen how this feedback will influence future collaborations between K-pop artists and television programs.

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